![]() Their breakup, as well as their complicated relationships with their own families, adds a twinge of melancholy, as do the relatable growing pains of a group of friends whose lives are taking them in different directions.Ī wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back. Wyn and Harriet’s relationship, shown both in the past and the present, feels achingly real. As always, Henry’s dialogue is sparkling and the banter between characters is snappy and hilarious. The problem with this plan, of course, is that Harriet still has major feelings for Wyn-feelings that only get stronger as they pretend to be blissfully in love. Determined to make sure everyone has the perfect last trip, Harriet and Wyn resolve to fake their relationship for the week. Telling the truth about their breakup is out of the question, because the cottage is up for sale, and this is the group’s last hurrah. But (surprise!) Wyn is there too, and he and Harriet have to share a (very romantic) room and a bed. She’s ready for a vacation at her happy place-the Maine cottage she and her friends visit every summer. So they keep it a secret from their friends and families-in fact, Harriet barely even admits it to herself, focusing instead on her grueling hours as a surgical resident. They’ve been part of the same boisterous friend group since college, and they know that their breakup will devastate the others and make things more than a little awkward. Wyn Connor and Harriet Kilpatrick were the perfect couple-until Wyn dumped Harriet for reasons she still doesn’t fully understand. ![]() The story does drag on a bit too long, but readers who persevere through the slower bits will be rewarded with a moving look at the strength of true love even when faced with seemingly insurmountable obstacles.Ī sweet, funny, and angst-filled romance with a speculative twist.Įxes pretend they’re still together for the sake of their friends on their annual summer vacation. ![]() But there are also serious moments, both in the dramatic yearning of August and Jane’s limited love affair (it can be hard to be romantic when all your dates take place on the subway) and in the exploration of the prejudice and violence Jane and her friends faced as queer people in the 1970s. Every scene that takes place with August’s chosen family of friends crackles with electricity, warmth, and snappy pop-culture references, whether they’re at a charmingly eccentric 24-hour pancake diner or a drag queen brunch. ![]() McQuiston, author of the beloved Red, White, and Royal Blue (2019), introduces another ensemble full of winning, wacky, impossibly witty characters. As August, who's bisexual, navigates the complexity of opening her heart to her first major crush, she realizes that she might be the only one with the knowledge and skills to help Jane finally break free. Jane isn’t like any other girl August has ever met, and eventually, August finds out why-Jane, in her ripped jeans and leather jacket, is actually a time traveler from the 1970s, and she’s stuck on the Q train. And then, on a fateful subway ride, she meets Jane. But she ends up finding both when she moves into an apartment full of endearing characters-Niko, a trans psychic whose powers are annoyingly strong his charismatic artist girlfriend, Myla and their third roommate, a tattoo artist named Wes. She spent most of her childhood helping her amateur sleuth mother attempt to track down August’s missing uncle, and all that detective work didn’t leave a lot of time for things like friendship and fun. Twenty-three-year-old August Landry arrives in New York with more cynicism than luggage (she can fit everything she owns into five boxes, and she’d love to downsize to four), hoping to blend in and muddle through. A young woman meets the love of her life on the subway, but there’s one problem: Her dream girl is actually a time traveler from the 1970s.
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